The cover of the latest New Yorker, on the right, is obvious in its meaning. The cover on the left is from the week before (dated April 25 but we all know that magazine cover dates and, what's the term? drop dates? are different). The adoring-fans-in-red-and-blue-with-guitar-in-foreground issue arrived in my mailbox after Prince died on April 21. I remember thinking, very briefly, wow, that was fast. I even thought, oh that's clever, they used red and blue, which of course together makes purple. The title of that cover art is Closing Set, appropriate title for a farewell to Prince, who was a great guitarist, something I didn't appreciate until after he died.
Today the Purple Rain issue arrived so I checked on Google just to be sure I was right about the magazine devoting two covers to his death. I mean I get that he was beloved, talented, and successful but two covers? In the New Yorker?
No, they didn't devote two covers to him. The left cover is by artist R. Kikuo Johnson and is described by him in the New Yorker this way:
“Everyone in Brooklyn is a d.j., so I rely on my much cooler friends to take me out,” the artist R. Kikuo Johnson says. “I have been taken to many one-night-only warehouse parties—I love dancing—but this was my first time at the Palisades,” he continues, referencing the underground venue in Bushwick that was the model for his cover of this week’s issue.
I say R. Kikuo should be credited with some unconscious foreknowledge.
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**From "The Statue," Seinfeld, April 11, 1991:
RAVA: Yes, that's all, a coincidence!
RAVA: Not a big coincidence. A coincidence!
ELAINE: No, that's a big coincidence.
RAVA: That's what a coincidence is! There are no small coincidences and big coincidences!
ELAINE: No, there are degrees of coincidences.










